APRIL 18 – JUNE 29

Featured artist, Inge Bruggeman will be exhibiting her new project Deposits, which is the second piece in her ongoing series called The Active Reading Series where readers explore the physical act of reading in different ways. Deposits is a book that is meant to be read while ascending or descending a short ladder.

She will also be displaying another recent book project titled, The Quickest Forever, a contemplative series of works rendering language as an attempt to know, control, and own one’s existence over time. Inspired by the life and work of Orra White Hitchcock, one of America’s earliest women botanical and scientific illustrators and artists, Inge investigates the book as a geological artifact in itself. The exhibition will also feature other sculptural and framed works that engage the viewer in asking how we embody information (text, words, language) from our surrounding environment and how it becomes part of the layers of ourselves.

The Quickest Forever by Inge Bruggeman, 2017. 10.5 x 7 x .5” (last spread), mixed media letterpress printed artist book.

Opening Reception: April 18, 2019, 6:30 pm
Artist Talk: June 27, 2019, 6:30 pm

Dignidad: Maria Veronica San Martin


Photo by Catalina Riutort

An exhibition based on secret telephone documents about Colonia Dignidad in collaboration with The National Archives of Chile, The Association of Memory and Human Rights on Colonia Dignidad and the lawyer Winfried Hempel.

Dignidad is an Art installation at The National Archive of Chile of the Chilean artist María Verónica San Martín based on secret telephone documents about Colonia Dignidad. Found in 2012 by the ex-colonel and lawyer Winfried Hempel, the audios reveal for the first time to the public conversations between Paul Schäfer and other Nazi agents during 1978. Through sculpture, sound, performance, text, and a selection of historical archives, San Martín reveals a complex system of codes and transcontinental actions that culminated in crimes against minors and opponents of the Chilean civic-military dictatorship (1973-1990). Next year the exhibition Dignidad will travel to the The Center for Book Arts in New York, the ATA gallery in San Francisco as a performance, and to the Museum Meermanno in The Hague.

María Verónica San Martín is a Chilean-born, New York-based artist working in printmaking, artist books, installations, sculpture, and performance art. San Martín addresses memory as a pivotal factor for the understanding of the neo-liberal, globalized present, turning recently to the subject matter of the Chilean dictatorship’s violence (1973-1990), vis-à-vis the United States and Nazism’s involvement in that violence. She was a studio artist at The Whitney Museum ISP during 2017-2018 and has had exhibitions at The Museum of Memory and Human Rights, Chile; BRIC Arts Media, NY; The Cantor Art Center, Stanford University, CA; The Bayerische Staatsbibliothek, Germany. Her work is in the collections of The Pompidou Centre, The New York Public Library, and The Walker Museum, among others.

Photo by Catalina Riutort


Una exhibición basada en documentos telefónicos secretos sobre Colonia Dignidad en colaboración con el Archivo Nacional de Chile, La Asociación por la Memoria y los Derechos Humanos Colonia Dignidad Y el abogado Winfried Hempel.

Dignidad es una instalación de la artista chilena María Verónica San Martín basada en documentos telefónicos secretos sobre Colonia Dignidad. Encontrados el año 2012 por el ex colono Winfried Hempel, los audios revelan por primera vez al público conversaciones entre Paul Schäfer y otros agentes Nazis durante 1978. Por medio de la escultura, el sonido, la performance, el texto y selección de archivos históricos, San Martín revela un complejo sistema de claves y acciones transcontinentales que culminaron en crímenes a menores y disidentes políticos. El próximo año la exposición Dignidad viajara al Center for Arts de Nueva York, la galería ATA en San Francisco como performance, y al Museo Meermanno de la Haya.

María Verónica San Martín es artista chilena residente en Nueva York. Desde el año 2012 se ha especializado en técnicas de grabado desarrollando la serie Memoriales Móviles compuesta por siete libros de artista en torno a las violaciones a los derechos humanos ocurridas durante la dictadura chilena, y la directa participación de Estados Unidos y el Nazismo. Su obra se encuentra presente en más de 44 colecciones en siete países alrededor del mundo, incluyendo el Museo Pompidou en París, el Museo Meermanno en La Haya y la Librería del Congreso en Washington DC, entre otros. San Martín ha exhibido de forma individual y grupal destacando el Museo de la Memoria y los Derechos Humanos de Santiago; BRIC Arts Media en Nueva York; The Bayerische Staatsbibliotheken Múnich. San Martín es representada por la galería Booklyn Inc. en Nueva York.

Opening Reception: January 18, 2019, 6:30 pm

Artist Performance: March 7, 2019, 6:30 pm