Rare Books of the Future

Exhibition Checklist:

Kurt  Allerslev

 

Neptune One
(1998) bleedinc.books; color xerox

Nervous System
(2001) Booklyn; letterpress, color xerox, silkscreen, relief, digital printer

Patterns
(2000) Artichoke Yink Press; letterpress, digital print, silkscreen, rubberstamp

Harriet  Bart

Garment Register
(2001) letterpress, photos, fabric swatches

Ken  Campbell

Tilt: the Black Flagged Streets
(1988) letterpress

Maureen  Cummins

Stocks and Bonds
(2001) letterpress and collage

Henrik  Drescher

Comeundone
(1989) Poote Press; letterpress

Amber  Gayle

Mud in My Veins
(1999) Evil Twin Publications (eviltwinpublications.com); offset printed, handbound

Dylan  Graham

In Deed and Words
(1999) Artichoke Yink Comics; xerox, rubberstamp,

Otaku
(2000) Artichoke Yink Comics; letterpress, xerox, rubberstamp,

Walter  Hamady

Gabberjab #7 Travelling
(1996) Perishable Press; letterpess, collage,

Erica  Harris

Envy the Little Larva
(1997) Artichoke Yink Press; pair of collage books

David  Heagle

Otaku
(2000) Artichoke Yink Comics; letterpress, xerox, rubberstamp,

Caren  Heft

My Father Was Always Sleeping
(1997) Arcadian Press; letterpress, handmade paper, photo,

Nicole  Hollander

My Father Was Always Sleeping
(1997) Arcadian Press; letterpress, handmade paper, photo,

Lois  Lane

I Know Where I’m Going
(1997) Letterpress, woodcut, photoengraving on Rives using Clarence house wallpaper and 14 Japanese papers. Black velvet case and a steel stand made by David Shaw.

Emily K.  Larned

Seeing Trilogy, two books from the
(2000) “The Eye is a Camera” and “Forgetting the Visual Field”; Red Charming; letterpress, xerox transfer, linoleum cut, washer,

Syntax Machine
(2001) Red Charming; letterpress, aluminum covers,

Jim  Lee

Trouble Light
(1989) Blue Moon Press; linoleum cut, first edition

Jonathan  Lill

Proved Plans
(1997) Pi Press; collage

Upon Waking Vol. 1: Autumn Leaves
(2001) Pi Press; cut paper

Vivisection
(2001) 1997-2001; Pi Press & Booklyn; scanned & bound facsimile of unique collage

Ruth  Lingen

Comeundone
(1989) Poote Press; letterpress

I Know Where I’m Going
(1997) Letterpress, woodcut, photoengraving on Rives using Clarence house wallpaper and 14 Japanese papers. Black velvet case and a steel stand made by David Shaw.

Jeffrey  Morin

Saint Sebastian
(1990) sailorBOYpress; letterpress, string, collage, handmade paper

Twelve Articles, The
sailorBOYpress; letterpress, reduction woodcut

Lois  Morrison

In the Desert
(2001) fabric, hand applique, embroidery

Amy  Newell

Acre Anchor
(1999) etching, letterpress, watercolor, drawing,

Sara  Parkel

Even the Birds Were on Fire
(2001) Filter Press; letterpress

Jim  Powell

A Poet’s Quickie #2: Catallun Revenants
(2001) Booklyn; photocopy, letterpress

Shon  Schooler

Patterns
(2000) Artichoke Yink Press; letterpress, digital print, silkscreen, rubberstamp

Peter  Spagnuolo

A Poet’s Quickie #2: Catallun Revenants
(2001) Booklyn; photocopy, letterpress

Karen  Switzer

Ker-bloom Collection #1-21
(1999) 1996-1999; Artnoose, bound by Christopher Wilde; letterpress

Scott  Teplin

Bum
(1999) Urst Press; burned paper

Fortune
(2000) Bird Brain Press & Urst Press; letterpress, collage, watercolor

Taught
(1999) Urst Press; Gocco, cut-outs

Robert  The

Bookbrush
(2002) altered book, wood

Read and Destroy
(2001) altered book,

Karthik  Thyagarajan

Shut Up Book, The
(2000) photo, acrylic, oils, marker, audio cassette, collage

Yankee Gone Home Run
(2000) Booklyn; laminated collage with calligraphy, Tyvek

Mark  Wagner

Flag
(2000) 1998-2000; comPress; collage, painting, drawing, xerox, wood, velvet

Fortune
(2000) Bird Brain Press & Urst Press; letterpress, collage, watercolor

House of Ghosts
(2000) Booklyn; collage, drawing, wood, Plexiglas

Mincing Words
(2000) Bird Brain Press; altered dictionary, Plexiglas

Smoke in My Dreams
(1998) Bird Brain Press; letterpress, collage, silkscreen, drawing, painting

Stacy  Wakefield

Mud in My Veins
(1999) Evil Twin Publications (eviltwinpublications.com); offset printed, handbound

Marshall  Weber

Catalog Issue #4, The
(1998) comPress; color photocopy of unique collage

Flag
(2000) 1998-2000; comPress; collage, painting, drawing, xerox, wood, velvet

House of Ghosts
(2000) Booklyn; collage, drawing, wood, Plexiglas

Nervous System
(2001) Booklyn; letterpress, color xerox, silkscreen, relief, digital printer

Patterns
(2000) Artichoke Yink Press; letterpress, digital print, silkscreen, rubberstamp

Christopher  Wilde

Envy the Little Larva
(1997) Artichoke Yink Press; pair of collage books

Nervous System
(2001) Booklyn; letterpress, color xerox, silkscreen, relief, digital printer

Patterns
(2000) Artichoke Yink Press; letterpress, digital print, silkscreen, rubberstamp

Y Book, The
(2001) Artichoke Yink Press; letterpress, rubberstamp, silkscreen, mixed paper

Support for the Center for Book Arts’ visual arts programming is provided, in part, by the New York State Council on the Arts, with the support of Andrew Cuomo and the New York State Legislature, and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.