Exhibition Checklist:
Romulo Andrade, Anotações de Viagem, 1987
Serigraph.
Lucila Machado Assumpção, A Geração de Gaia/ Gaia’s Generation, 1992
Hand-painted, silk-embroidered, mixed media on Supremo white paper.
Lucila Machado Assumpção, Everything Makes Sense, Every Sense Makes Changes, 1994
Strathmore grandee natural paper, special accordion fold.
Lucila Machado Assumpção, Soul Lar, 1990
Watercolor and calligraphy, wood, leather, cotton paper with Jacob’s ladder binding
Isabel M. Barbuzza, Renditions I, 1989
Altered art history book, muslin, book pages
Dina Bursztyn, In an Old Manuscript, 1984
Mixed media on paper, ink, watercolor, seeds, leaves, etc.
Margarita Becerra Cano, Purple Magic, 1993
Collage, corn husk, purple pin, handmade papers
Josely Carvalho, Turtle Book, 1988
Silkscreen, acrylic and raffia
Lourdes Cedran, Tantric Book, 1993
Acrylic/drawing on handmade paper
Enrique Chagoya, The Bread of Days, 1994
Yolla Bolly Press/ Letterpress printed on Twinrocker Chapin, Zerkall, Japanese cotton, Fabriano Roma, and Lana Royal papers. Bound in split boards covered in Italian Roma paper and printed image.
Renata Franco de Mello, Tropical Bird, 1994
Watercolor, newspaper
Cora Bocayuva de Mesquita, A Pátria Em Chuteiras by Nelson Rodriques, 1994
Rebound in oasis colored leathers; doublure and fly-leaf in yellow oasis
Carlos Montes de Oca, Las Anunciaciones, 1994
Mixed-media, box
Carlos Montes de Oca, Tres grandes relatos, 1994
Mixed-media, box
Solange Fabião, A Árvore/The Tree, 1991
Xerox on 100% rag paper on board.
Solange Fabião, Die Witwe, 1992
Xerox, ink, graphite on paper
Sandra Fernandez, The Fertility/Infertility Box, 1993
Wood, cyanotypes, paper
Mariana Duarte Fodor, Hibiscus/Hibisco, 1994
Hinged clamshell box, fabric, paper, transparencies, cotton fabric
Carolina Franco-Garcia, The Seeds, 1994
Rives Paper
Adrianne Gallinari, Black Album/Album Negro, 1990
Glue, graphite, gouache, cutouts, sewn binding
Fabio Herrera, Diary/Diario, 1994
Mixed media, recycled paper, spiral binding, cardboard cover
Leandro Katz, David Lamelas, Liliana Porter, El Desdoblamiento, El Simulacro, El Reflejo, 1994
Silkscreen, photo-etching, photography, Arches cover, Arches silkscreen, & AGFA Portriga papers. Portfolio box contains three prints by each artist and text by Luisa Valenzuela
Magali Lara, The Plant of the Body / La Planta del Cuerpo, 1993
Etching on Toledo paper; altered pages by Georgina Quintava and Carmen Boullosa
Virginia Lavado and Camilo Rojas, Te Veo, 1994
Mixed media, photographs, computer generated images objects, wood and handmade & recycled paper
Adriana Leão, Labor, Love/Labor, Amor
(1993) black ink, pencil, glue, Letraset, guoache, Superwhite paper, sewn binding
Luiz Fernando Machado, Relationships, 1994
Collage of black and marbled paper
Maria Eugenia Manrique, Botanika, 1994
Fabriano paper, transfers, pastels, crayons, hand carved and painted wood cover
Soraya Marcano, Flor Suave, 1994
Silkscreen, intaglio, embossing, pencil, metals, Rives handmade paper, five hold binding
Matilde Marin, Myths of Creation/Mitos de Creación, 1993
Etchings, serigraphs, aquatints on handmade paper with hardcover binding
Claudia Rezende Minerbo, Brazilian History/Historia do Brasil, 1994
Leather and marbled paper. Binding features inlay and onlay.
Maritza Perez, Book of Changes, The/El Libro de Cambios, 1990
Acrylic, bronze powders, casein, and collage ona matte fiber paper and Arches
Antonio Peticov, The Book, 1983
Russian and Italian pencils (wood, lead, rubber)
Rebeca Puga, Disorientations, 1995
Colored pencils, inks on Rives BFK paper
Sarah Bryant, Ric Haynes, Camilo Sebastian Rojas-Lavado, Irwin Susskind, Mary Ting, Untitled, 1993
Mixed media, handmade paper, monoprint, wood print, photo
Gilvan Samico, The Fountain in Moonlight, 1994
Woodcuts on Mitsumata vellum, bound with Morocco leather by Tini Miura. Claire Owen collaborated with Daniel Tucker on the design of this book containing works by the Brazilian artist, Gilvan Samico. The book was designed and printed at Turtle Island Press in Philadelphia and Telluride, Colorado.
Mônica Schoenacker, We Have More Than Bananas, 1994
Plastic and sulfite paper with sewn plastic case, zipper
Ana Tiscornia, City, 1994
Mixed media
Gladys Triana, Codex II, 1993
Pigments and buttons on handmade paper
Eunice Vivacqua von Tiesenhausen, History of recent actions practiced during 8 years in Brazil, 1994
by Gaspar Barleú (1647); Verger paper, Mankin ink, photographs, varnish, trianon binding, silk thread
