Resources → Glossary
A book structure made without stitches by simply folding a sheet of paper back and forth in page-width increments.
This breathable elastic bandage can be used in bookbinding to tie up the book and hold reattached book spines in place while they dry.
A plastic transparent cover sheet.
Used in bookmaking and conservation to clean and disinfect books having laminated surfaces, modern dust jackets and other non-porous surfaces.
Artwork in the form of a book. Artists books are a unique intersection between the world of fine art and bookbinding. They can be almost anything, from altered books to fine bindings, large scultpural objects to miniature books, scrolls to codices, and so much more.
Originally used to check the progress of prints during their production, artist’s proofs (or APs) are produced especially for the artist. These prints are not included in the count of the edition, but are otherwise identical to the editioned prints. Typically, they are kept for the artist’s archives and used for exhibition purposes.
The process that flares the spine of a book block, forming a hinge area along the binding edge of the sheets and leaving a ridge that will accommodate the thickness of the cover.
BAT (Bon á tirer)
The “okay-to-print” (AKA, the final) trial proof that the artist has approved, telling the printer that this is the way they want the edition to look.
Thread can be coated with wax to prevent it from tangling when sewing together a book.
Alternative: candle wax, paraffin (vegan)
Very absorbent paper that is perfect for pressing and drying glued book covers without causing any damage.
A large, hand-operated machine for cutting board or paper. Like scissors, a board shear uses two blades to apply shear stress in order to cut.
A dull-edged hand tool used to fold and crease material in crafts such as bookbinding, cardmaking, origami, and other paper crafts that require a sharp crease or fold.
Alternative: a straight-edge and any object with a hard, flat surface like a knife, spatula, or credit card.
The field of art that involves the creation of works that use or refer to structural and conceptual properties of books.
The making or manufacture of books and all of the methods that go along with it, such as binding, printing, gilding, leatherwork, paper marbling, hot stamping, etc.
The method by which book are physically assembled, usually by hand but can also refer to mechanical binding.
Vegetable-tanned calf, goat, and sheepskin hides provide an excellent tooling surface and are traditionally used to cover and bind books.
Alternative: natural flax paper (vegan)
A fabric that has been made suitable for use as a book covering by backing it with paper or impregnating it with starch or sizing to make it impenetrable to adhesives.
Needles with varying shapes and sizes can be used in bookbinding, depending on thread and paper materials. Similar to darning needles, bookbinding needles are longer and less sharp than sewing needles.
A printer’s hand inking roller.
A large sheet of paper printed on one side only. Historically, broadsides were cheap print used as posters, announcing events or proclamations, commentary in the form of ballads, or advertisements.
California Job Case
A compartmentalized wooden box used to store movable type used in letterpress printing. It has 89 compartments for individual capital letters, lowercase letters, figures, special characters, and punctuation marks for one size and face of type. The location of the letters in the case—the lay of the case—is made so that the most used letters are grouped together within convenient reach of the typesetter.
When a water-miscible solvent is mixed with water and used to clean up ink after printing (this means less odor and you use less of the solvent).
A chapbook is a small publication of up to about 40 pages, sometimes bound with a saddle stitch. Often used for poetry and self published.
A long-bladed hand tool used in bookbinding to trim the edges of a book.
A brace, band, or clasp used for strengthening or holding the book together when binding or trimming.
A collage of materials of various textures glued on to a printing plate, often a thin wood or cardboard. During the inking process the ink will rub off surfaces that are smooth or higher and stay on surfaces that hold more ink, at edges and at lower points thus creating the image.
A historical tradition in book arts. A short description of the book that may include the artist’s name, printer or press name, signature, year, edition number, printing methods, typefaces used, paper type, any other materials used, publisher, author, and any other information you’d like to include.
A stitchless, folded binding that can be assembled with or without adhesive. The concertina method is used interchangeably with the accordion structure, but technically the concertina is hexagonal in shape.
A popular bookbinding method that uses the coptic (AKA chain) stitch to bind all the page signatures and covers together with one long thread. This allows the pages of the book to open up completely flat.
An outer surface nearly the size of the pages and attached to the spine by a hinge mechanism. Front and back covers are usually the same material as the spine, forming a one piece protective “case” around the book.
Cover Weight Paper
A heavier weight paper that is rigid enough for use as a soft book cover. Common weights range from 175 to 350 grams or 60 to 130l b cover.
A type of needle commonly used in bookbinding, especially useful for the coptic stitch. The curve allows you to “hook” around as you are sewing.
A rectangular piece of durable material, such as vinyl or rubber. They are marked on one side with a grid guide of specific measurements. Cutting mats are used both to protect the surface you are cutting on, and to provide measurement guidelines and references to ensure a clean and straight cut.
A rigid archival Board that is suitable for use as a hard book cover and for box making. Often covered with book cloth, paper, or pared leather during the process of bookbinding or box making. It comes in several thicknesses.
“Democratic multiples” are inexpensive artists’ books sold cheaply or even given away to as many people as possible. Typically democratic multiples convey a social or political message. The artist wants to get the word out with low production costs and self-distribution, by-passing the art gallery.
Dos – i – do
A binding method that creates one book from two. The “two books” share a back cover so when you look at it from the top, the covers form the letter “N”. In French, Dos-á-dos literally means “back-to-back.”
Double Sided Tape
Drum Leaf Binding
An adhesive-based bookbinding method that allows for full page spreads, a book that opens pretty flat, and no stitching through the center folds.
Used for drying screen prints without smearing, in room air or in a heat chamber.
In printmaking, edition commonly refers to a series of identical impressions or prints made from the same printing surface.
The pages that consist of a double-size sheet folded, with one half pasted against an inside cover (the pastedown), and the other serving as the first free page (the free endpaper or flyleaf).
Follows in the tradition of the book as precious object. An elaborate and decorative binding, example including a leather-bound book with gilt edges, raised blind stamps, raised ribs, or even a cover that is embedded with jewels or embroidered.
Flat Backed Case
A simple type of bookbinding which has a flat spine and is cased or has a one-piece covering. This type of binding is suitable for typescript, some pamphlets, and adhesive-bound paperbacks.
A sheet of paper folded once to form two leaves (four pages) of a book.
The fourth edge – not the spine, the top, or the bottom edge, but the outside edge that a reader would use to thumb through the pages.
A complete binding of a volume in any one material, generally leather.
AKA bradel binding – a style of book binding with a hollow back. It most resembles a case binding in that it has a hollow back and visible joint, but unlike a case binding, it is built up on the book.
Gold (or an imitation) that has been beaten into a very thin sheet, used in gilding and bookbinding.
Gold Leaf Knife
A long-bladed roundnosed knife for cutting gold leaf.
The grain in paper comes from how the fibers of the paper are arranged. The fibers are typically parallel to each other across the sheet and knowing the grain direction is important when folding the sheet of paper.
A tool designed to cut a large amount of paper sheets to be able to issue your document with a straight line in one quick swift slice.
A style of bookbinding in which leather or other ornamental material covers the spine and corners.
A printing press that is manipulated by hand.
A tool held in the hand and operated without electricity or other power. Examples in bookbinding: chisel, hammer, awl, clamps.
A book cover made from a rigid material such as davey binders board that is often covered with bookcloth, paper, or pared leather.
The covering leather at the head and foot of the backbone of a hand-covered book shaped over the headbands.
Heavy Duty Awl
A tool with which holes can be punctured in a variety of materials, or existing holes can be enlarged. It is also used for sewing heavy materials, such as leather or canvas. large handle allows control and a strong grip.
The flexible part of the cover on which the boards swing open.
Hot Stamping Foils
Hot Stamping Machine
A colored fluid used for writing, drawing, printing, or duplicating.
A tool used to mix and roll ink; basically the equivalent of a painting palette for printmaking. Most ink slabs are made out of marble (natural or artificial) or thick chamfered glass (approximately 1 cm thick).
Rubber rolls that either contain ink within the roller itself or are engraved with the pattern desired to be printed.
Japanese Screw Punch
A hand tool that allows you to punch effortless holes in material. As pressure is applied downwards on the drill, the bit spins, producing a drilling action, and cutting a super clean hole through your material.
A device that holds a piece of work and guides the tools operating on it.
A stitch used in hand-sewn books, at the head and tail, to hold sheets or sections together.
Refers to the smallest, standard physical unit of paper in a printed piece; in the case of books and pamphlets, usually with a printed page on each side of a leaf
A technique of relief printing. Using a printing press, the process allows many copies to be produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper.
Light Duty Awl/ Pin Tool
Limp Vellum Binding
A bookbinding method in which the book has flexible cloth, leather, vellum, or paper sides.
Used in bookbinding for sewing on cords, where sections are sewn onto lengths of twine which wrap around the text block perpendicular to the sections, and used to create raised bands when leather is applied and worked over the top.
A printmaking technique, a variant of woodcut in which a sheet of linoleum is used for a relief surface.
The relief surface used in linocut printmaking.
A bookbinding technique used for sewing together the sections of a book. There are different forms of longstitch sewings. Longstitch binding does not require glue.
A common additive used in printmaking to thicken and alter ink’s viscosity.
A tool used for cutting the corners of bookcloth when making cases. Triangles are also used to mark and measure the accuracy of a 90° or 45° angle.
When mixed with water, it can be used as a low-tack adhesive that is often added to PVA in bookbinding.
Handy tools used for removing labels, separating pages, pressing flaking paint, and applying adhesive in hard to reach areas.
A technique in which an artist creates a reusable template of the intended image. A mono print is one of a series—therefore, not wholly unique. A monoprint begins with an etched plate, a serigraph, lithograph or collograph.
A technique that generally yields only one good impression from each prepared plate. A monotype is one of a kind, a unique piece of artwork They are made by drawing on glass or a plate of smooth metal or stone with a greasy substance such as printer’s ink or oil paint.
An application for attaching a graphic – a photograph, print, or poster, for example – to a board or substrate, which may be rigid or semi-rigid.
Multiple Signature Binding
A kind of bookbinding in which multiple sections of paper, or signatures, are sewn together.
An uncoated groundwood paper made by mechanically grinding wood pulp without first removing lignin and other wood pulp components.
A small press consisting essentially of a fixed, horizontal iron base plate, and an upper, movable platen that is raised and lowered by means of a relatively long, vertical screw. The nipping press is used to apply quick and uniform pressure in a variety of bookbinding operations.
Oil Based Ink
Contains pigments, hydrocarbons, and oil (often soy oil and sometimes mineral oil). Oil based inks adhere to materials primarily through absorption. As a result, they are best paired with substrates like newsprint, commonly used in the publication industry.
In printing, general term for decorative designs, not usually part of a type font.
A blunt hand tool used for mixing or applying paint, with a flexible steel blade. In bookmaking, it is used in marbling or when adding texture to decorative end papers.
Roller Setting Gauge
Rubber Based Ink
Scalpel/ X-acto knife
Scharf Fix/ Leather Paring Machine
Sets Well/ ink modifiers
Sewing Frame Keys
Signed and Numbered
Snap Blade Knife
A book cover made from a flexible material such as cover weight paper.
Text Weight Paper
A light weight paper suitable for use as the pages of a book. Common weights are between 75 to 150 grams or 20lb to 100lb text.
Transparent Base/ Transparent White
Waxed Linen Thread
Small booklets that are used to disseminate information usually related to a single topic, issue, or political or social movement. They are usually produced in a fast and inexpensive way in order to make them accessible to the most amount of people. An example of Democratic Multiples.