2002 Artist Members’ Juried Exhibition

Barbara  Mauriello

Karen  Baldner

  • One-Liner
    (2000) pamphlet binding in drop box, handmade jute paper, pencil

Miriam  Beerman

  • Faces by Rainer Maria Rilke
    (2000) translated by Steven Mitchell; dry points in boxed portfolio, letterpress

Allison Cooke  Brown

  • Paper Passages
    (2002) 3 boxes; paste papers, handmade papers, commercial papers, fabric, thread, acrylic paint, watercolors, stamping, found objects

Katherine D.  Crone

  • A Year on Accabonac Harbor #2
    (2001) silk organza, linen thread, acrylic, Inkjet printing

Keith M.  Cummings

  • Golden Days
    (2002) bass wood, brocade, Japanese paper, thread

Joyce  Cutler-Shaw

  • Lost and Found in the Garden of Wild Birds and Grasses
    (2001) neutral bond paper, offset printing

Evelyn  Eller

  • Appearance of Language, The
    (2001) mixed media collage, handmade and Japanese paper, string, beads

Elsi Vassdal  Ellis

  • Modest Hours: Abaya. Burqa. Chador. Hijab. No matter what you call it, it is all the same. You say we are fitna, chaos. If you are going to hide me, hide me in purple and I will be your reluctant B
    (2001) urqa-Baby!; synthetic suede, eyelet cloth, leather, brass, Epson print

Joan Iversen  Goswell

  • Celia
    8 scrolls; collage

Martha A.  Hall

  • Paper Passages
    (2002) 3 boxes; paste papers, handmade papers, commercial papers, fabric, thread, acrylic paint, watercolors, stamping, found objects

Elizabeth A.  Jabar

  • My Inventory
    (2001) collograph prints and paperplate lithos on wool, glassine with wax scrolls, string

Kumi  Korf

  • Hunter-Gatherer: Family Business; Mario
    (2002) copperplate Hahnemuhle paper, Masa waxed paper, Denrill, stainless steel rods

Mary Ellen  Long

  • 180 Days
    (2001) New Zealand flax paper, prismacolor pencil, linen thread

Jim  Machacek

  • Abecedarium of the Universe, The
    (2001) Somerset book paper, Fabriano Rusapina, Rives BFK, letterpress printed from handset type and polymer plates, digital images

Tadashi  Mitsui

  • Autumn Feel
    (2001) paper

Lois  Morrison

  • Night Garden of Earthly Delights, The
    (2001) fabric, cloth-covered clamshell box

Louise Odes  Neaderland

  • Tora Bora
    (2002) digital and photo copier generated images on vellum bristol

Anne LaCour  Neeb

  • Japanese Counting Book
    (2002) davey board, colored business paper, handmade kozo, sketch paper, watercolor, ribbon, cut designs

Sarah  Plimpton

  • Edges Are Steps
    (2001) Box by Claudia Cohen; Fabriano tiepolo, aquatint, letterpress

Marilyn R.  Rosenberg

  • Level
    (2001) paper, cut areas, ink, gouache

Sybil  Rubottom

  • Abecedarium of the Universe, The
    (2001) Somerset book paper, Fabriano Rusapina, Rives BFK, letterpress printed from handset type and polymer plates, digital images

Cindy  Ruskin

  • A Little Birdhouse in My Soul
    (1996) Altered Book, original by Kurt Vonnegut; mixed media

Marcia  Scanlon

  • Proteus by Homer
    (2001) translated by Marcia Scanlon; Rives BFK, decorative papers, permanent markers

Jorge  Simes

  • Brevissima by Bartolome de las Casas
    (2001) wood, felt, burlap, tin, glass, gouache and ink on amate paper

Gail  Smuda

  • Church Bound
    (2000) wood, wax, ribbon, photocopy, grommets, yarn, fabric, found objects (leather Bible cover)

Larry  Thomas

  • Way We Learn, The
    (2001) slide mounts, Kozo paper, found photos

Judith  Uehling

  • Berlin Diary I
    (2001) encaustic, silkscreen, crayon on paper

Claire  Van Vliet

  • Circus Sapientiae (Circle of Wisdom) by Hildegard Von Bingen
    (2001) handmade paper with pulp painting

Karen  Baldner

  • One-Liner
    (2000) pamphlet binding in drop box, handmade jute paper, pencil

Miriam  Beerman

  • Faces by Rainer Maria Rilke
    (2000) translated by Steven Mitchell; dry points in boxed portfolio, letterpress

Allison Cooke  Brown

  • Paper Passages
    (2002) 3 boxes; paste papers, handmade papers, commercial papers, fabric, thread, acrylic paint, watercolors, stamping, found objects

Katherine D.  Crone

  • A Year on Accabonac Harbor #2
    (2001) silk organza, linen thread, acrylic, Inkjet printing

Keith M.  Cummings

  • Golden Days
    (2002) bass wood, brocade, Japanese paper, thread

Joyce  Cutler-Shaw

  • Lost and Found in the Garden of Wild Birds and Grasses
    (2001) neutral bond paper, offset printing

Evelyn  Eller

  • Appearance of Language, The
    (2001) mixed media collage, handmade and Japanese paper, string, beads

Elsi Vassdal  Ellis

  • Modest Hours: Abaya. Burqa. Chador. Hijab. No matter what you call it, it is all the same. You say we are fitna, chaos. If you are going to hide me, hide me in purple and I will be your reluctant B
    (2001) urqa-Baby!; synthetic suede, eyelet cloth, leather, brass, Epson print

Joan Iversen  Goswell

  • Celia
    8 scrolls; collage

Martha A.  Hall

  • Paper Passages
    (2002) 3 boxes; paste papers, handmade papers, commercial papers, fabric, thread, acrylic paint, watercolors, stamping, found objects

Elizabeth A.  Jabar

  • My Inventory
    (2001) collograph prints and paperplate lithos on wool, glassine with wax scrolls, string

Kumi  Korf

  • Hunter-Gatherer: Family Business; Mario
    (2002) copperplate Hahnemuhle paper, Masa waxed paper, Denrill, stainless steel rods

Mary Ellen  Long

  • 180 Days
    (2001) New Zealand flax paper, prismacolor pencil, linen thread

Jim  Machacek

  • Abecedarium of the Universe, The
    (2001) Somerset book paper, Fabriano Rusapina, Rives BFK, letterpress printed from handset type and polymer plates, digital images

Tadashi  Mitsui

  • Autumn Feel
    (2001) paper

Lois  Morrison

  • Night Garden of Earthly Delights, The
    (2001) fabric, cloth-covered clamshell box

Louise Odes  Neaderland

  • Tora Bora
    (2002) digital and photo copier generated images on vellum bristol

Anne LaCour  Neeb

  • Japanese Counting Book
    (2002) davey board, colored business paper, handmade kozo, sketch paper, watercolor, ribbon, cut designs

Sarah  Plimpton

  • Edges Are Steps
    (2001) Box by Claudia Cohen; Fabriano tiepolo, aquatint, letterpress

Marilyn R.  Rosenberg

  • Level
    (2001) paper, cut areas, ink, gouache

Sybil  Rubottom

  • Abecedarium of the Universe, The
    (2001) Somerset book paper, Fabriano Rusapina, Rives BFK, letterpress printed from handset type and polymer plates, digital images

Cindy  Ruskin

  • A Little Birdhouse in My Soul
    (1996) Altered Book, original by Kurt Vonnegut; mixed media

Marcia  Scanlon

  • Proteus by Homer
    (2001) translated by Marcia Scanlon; Rives BFK, decorative papers, permanent markers

Jorge  Simes

  • Brevissima by Bartolome de las Casas
    (2001) wood, felt, burlap, tin, glass, gouache and ink on amate paper

Gail  Smuda

  • Church Bound
    (2000) wood, wax, ribbon, photocopy, grommets, yarn, fabric, found objects (leather Bible cover)

Larry  Thomas

  • Way We Learn, The
    (2001) slide mounts, Kozo paper, found photos

Judith  Uehling

  • Berlin Diary I
    (2001) encaustic, silkscreen, crayon on paper

Claire  Van Vliet

  • Circus Sapientiae (Circle of Wisdom) by Hildegard Von Bingen
    (2001) handmade paper with pulp painting

Support for the Center for Book Arts’ visual arts programming is provided, in part, by the New York State Council on the Arts, with the support of Andrew Cuomo and the New York State Legislature, and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Exhibition Views

LEVEL (2001 )Marilyn R Rosenberg
LEVEL (2001 )Marilyn R Rosenberg
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